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"Ripley" is based on Patricia Highsmith's classic crime drama "The Talented Mr Ripley." NEW LOOK Sign up to get the inside scoop on today’s biggest stories in markets, tech, and business — delivered daily. download the app Email address Sign up By clicking “Sign Up”, you accept our Terms of Service and Privacy Policy . AdvertisementNetflix's "Ripley" is an incredibly faithful adaptation of the novel "The Talented Mr Ripley" by acclaimed US author Patricia Highsmith, arguably hewing closest to the source material out of all the versions of the classic crime drama committed to screen. This story is available exclusively to Business Insider subscribers.
Persons: Patricia Highsmith's, Ripley, , Patricia Highsmith, Steven Zaillian, Tom Ripley, Andrew Scott, he's, Herbert Greenleaf, Dickie, Johnny Flynn Organizations: Service, Business Locations: New York, Italy, America
The series is a slow-burn thriller that might not work for everyone. NetflixAs many critics have pointed out, "Ripley" indulges in every minute of its almost eight-hour run time. It may take a few episodes to engross audience members, but it's well worth the ride. "This kind of meticulous artistry deserves equally attentive viewing," Lena Wilson argued for IGN, adding: "Despite streaming in full on Netflix, 'Ripley' works best when watched in moderation." However, Aramide Tinubu, writing for Variety, disagreed, arguing that "the episodes are painfully overlong and full of dead space."
Persons: Dakota Fanning, Johnny Flynn, Andrew Scott, Ripley, Dan Einav, Lucy Mangan, Lena Wilson, Aramide Tinubu, Maurizio Lombardi, , Brian Lowry Organizations: Netflix, Financial Times, The Guardian, IGN, Variety Locations: Ripley, Dickie's
CNN —Moving slowly, indeed almost hypnotically, “Ripley” takes a few episodes to kick in, but once it does there’s no turning back. Set in the early 1960s, the format provides the latitude to luxuriate in uncomfortable moments and build palpable tension around situations in Patricia Highsmith’s books, a sensation that becomes more intense once it’s demonstrated how ruthless Scott’s Tom Ripley can be. Living an idyllic life with his girlfriend Marge (Dakota Fanning), Dickie resists the notion but foolishly invites Tom into his orbit. Marge might be suspicious of Tom’s motivations, but he quickly wins over Dickie despite his occasionally strange behavior. If they do, give the credit, primarily, to the talented Messrs. Zaillian and Scott.
Persons: “ Ripley ”, Ripley ”, Andrew Scott, , Matt Damon, Steven Zaillian, ” “ Ripley ”, Patricia Highsmith’s, Tom Ripley, Ripley, Dickie Greenleaf, Johnny Flynn, Marge, Dakota Fanning, Dickie, Scott, Maurizio Lombardi, Ravini, , “ Ripley, , it’s, deceptions, Zaillian Organizations: CNN, New Yorker, Netflix Locations: Italy, Ripley, Flitting
“The classicist who wants to be modern, meeting the modernist who wants to be classical.” So says Elizabeth Taylor, summing up the fractious encounter between the revered Shakespearian actor John Gielgud, and her new husband, the actor Richard Burton. It’s 1964, Taylor and Burton are the most famous couple in the world, and Burton is rehearsing the role of Hamlet for a Broadway production that Gielgud is directing. It’s not going well. That’s the setting for “The Motive and the Cue,” a new play directed by Sam Mendes, written by Jack Thorne, and starring Mark Gatiss as Gielgud, Johnny Flynn as Burton and Tuppence Middleton as Taylor. The play, which opened to enthusiastic reviews in May and runs through July 15 at the National Theater, in London, was an idea born out of the pandemic, said Caro Newling, a co-founder with Mendes of Neal Street Productions, which developed the show.
Persons: Elizabeth Taylor, John Gielgud, Richard Burton, It’s, Taylor, Burton, Gielgud, Sam Mendes, Jack Thorne, Mark Gatiss, Johnny Flynn, Tuppence Middleton, Caro Newling, Mendes, Neal Organizations: National Theater, Neal Street Productions Locations: London
The Americanized “Spirited” is available on Apple TV+, while the British-based “Scrooge: A Christmas Carol” debuted on Netflix on Friday. Originally published in 1843, Charles Dickens’ “A Christmas Carol” was that era’s equivalent of a bestseller, with 13 editions published in the first year of print alone. (“The Muppet’s Christmas Carol,” for example, cast perpetual hero Kermit T. Frog as Cratchit rather than Scrooge.) The animation is vibrant, capturing the feel of the old Claymation-style Christmas TV specials. It is a bizarre and somewhat grotesque rewriting of the story’s moral; it's “A Christmas Carol” seen through the lens of bothsiderism.
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